SPECTRE FILM LOCATION CRATER MOVIE

Even with just that brief glimpse, we can already say a lot about this crater.

SPECTRE’s “meteorite crater” (lair of the evil villain Blofeld, né Oberhauser) was actually filmed in an extinct volcano outside the Moroccan city of Erfoud named Gara Medouar.

SPECTRE FILM LOCATION CRATER MOVIE

The movie also features the Oriental Desert Express train, a tourist scenic line that goes from Oujda to Bouarfa. Where was the desert scene in Spectre filmed?ĭown to Morocco: The Spectre Crater The desert scenes and the crater were shot near an extinct volcano, called Gara Medouar near Erfoud. Last seen at the end of SPECTRE Daniel Craig and Lea Sedoux drive away in the DB5 and first still images from No Time To Die indicate that the DB5 is part of a heavy battle scene. To bridge the waiting time, let’s have a look at the most iconic Bond car, the Aston Martin DB5. What car does James Bond drive away in at the end of Spectre? Over the last few days the James Bond production has been filming high-octane car chase scenes for new movie Spectre. The C-X75 was handed a lifeline – of sorts – when the producers of the latest James Bond film, Spectre, cast it as the villain car.īond gets biblical: Spectre production films night time scenes along the Tiber River and against the beautiful backdrop of Vatican City and St. Hinx, the assassin for the Spectre organization, chases him in a 2015 Jaguar C-X75. While 007 is at the wheel of an Aston Martin DB10, Mr. 001, is one of a handful Jaguar C-X75 examples used as stunt cars in Spectre, starring Daniel Craig. The design is truly horrible – like something a second-rate British commercial practice might design for Shanghai – yet also deeply credible in its proposed Vauxhall location.Jaguar C-X75 was used in the James Bond film Spectre.

Oddest of all is the new intelligence HQ – a tower dedicated to surveillance on the banks of the Thames. Sure, there’s a minimalist clinic (actually the Ice Q restaurant high in the Austrian Tyrol, designed by Johann Obermoser) but the real action takes place on the rooftops of Mexico City and the dark, deeply shadowed streets of London.

Instead the locations are grittier, more real. Spectre, the latest instalment in the Bond franchise, doesn’t employ the kind of modernism that saw Ken Adam act as a conduit between German expressionism and 60s pop. The Bond films were all about a glamorous view of a near future in which technology was sexier and villains used visionary modernism to express their desire for world domination. These are architectures that exist in a permanent retro-future, an ultra-modernism from the past. Strangelove (not Bond, but the same designer, Ken Adam) or it might be an interior with very deep white shag carpets (to go with the cat) and a strangely sculptural fireplace. It might be a dark war-room like the one in Dr.

It might be a John Lautner-esque house atop a concrete column or a Pierre Koenig-type villa cantilevered over a hillside. It might be inside a crater on a mysterious island. It’s a typology we all recognize – even though it might vary wildly from one production design to another, it nevertheless remains oddly familiar. There is a sub-genre of architecture that has become known as “Bond Villain’s Lair”.

Spectre film location crater